Nicholas Chim

Music Portfolio / Store

Having grown up in the working class, Nicholas uses songwriting as both catharsis and self-discovery. He believes "that there is an ideal, honest way to live and through the writing process, I'll be able to find it".

With the release of his new EP "The Greatest Enemy”, Nicholas looks set to get back on the road and reconnect with audiences. To him, rediscovering that connection between audience and performer is "the best feeling on earth and I want to keep chasing it".

Filtering by Category: Terrible Luck

The Journey Makes The Destination

For a week or so, my mind has been recalling the time I accompanied my mother and her friends to trek in Nepal. I think it’s because something I learnt then has finally begun to become truly relatable to my life.

I saw the trip as an opportunity to not only spend quality time with my mother, but also to try something new to expand my perspective. I also hoped I could healthily gather song material and inspiration post Forgiefan, instead of seeking a new muse to break my heart. Little did I know what was in store for me.

I totally underestimated how hard the Upper Mustang trek would be. Misinformation left me unprepared to take on the mountain range. By the third day out of 10, I had lost the full use of my right leg. It took two jeeps and a horse to get me back to civilisation. As I wasn’t aware of my negative mental habits then, I beat myself up for being so weak. I felt guilty for costing my mother so much when it came to treatment post trip. I was so angry with everything and everyone for a long time.

It’s been several years since that trip. A lot has changed and I think I’ve grown a lot emotionally. One thing I’ve finally understood is that the journey makes the destination.

There are generally two ways to get to a summit to take in the amazing scenery around you. Firstly, you could take a jeep up to the summit. It’s quick and convenient but you won’t appreciate the view as much. Alternatively, you could do it on your own two feet. When you do, you really feel the size and age of the mountain. Reaching the summit this way is also a most exhilarating experience. You swell with pride, knowing that the achievement was hard won and no one can discount it.

The same thing applies to our individual journeys, songwriter or otherwise. Though painful at times, we shouldn’t take the easy way and rush to reach our goals. We need to trust the process. Only then, will we fully appreciate the view as we reach our summit. Even if it doesn’t make sense right away, looking back a few years later hopefully will =) 

I got to see the most beautiful natural scenery, unspoilt by man and technology. Shaun had asked me to help him buy a Tibetan singing bowl, so I bought two for myself and incidentally discovered the overtone that would become a big part of the song Overboard and my live performance. I was so pleased that everywhere I’ve performed in Germany, people are so enchanted by its sound!

Most importantly, I got to learn this crucial life lesson, which I hope would serve you well too.

Birthday Month Sale!

Hi readers, I’d like to announce that I’m running a sale for the first time! For the entire month of February, simply use the promo code “TERRIBLELUCK” during checkout to get 50% off for any item in the store

I count myself so lucky to have had people and retailers support my passion all these years. I did a long overdue stock take recently. I can’t believe I have actually moved more than 700 units of Forgiefan and 400 of I Have Damned Every Moment Over! In the quieter months between tours, you are the very reason why I can keep going a little more. Unfortunately in the early days, duplication companies insisted on a minimum of 1000 copies per order, so I have more than a few left to go. All this merchandise sitting at home needs to move on so that new ones (did someone say T shirt?) can take their place.

With streaming being how most people consume music now, it’s understandable that CD sales have dropped. Most laptops don’t even come with a CD drive anymore! So if you do buy a CD, I’ll be glad to send you the digital tracks. All you need to do is leave your email address in the input field that pops up as you click “Add to Cart”, and I’ll send them to you as soon as possible. Rest assured, I won’t misuse your contact information. Feel free to read my privacy policy

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I’m pretty certain that I won’t make a second printing of these CDs so if you’re a collector of sorts, this could be your chance =) Who knows, maybe CDs will see a revival in the future just like vinyl? Besides the CDs, there are tote bags, digital downloads and bundle deals too. Naturally, these sales will help bolster current efforts in raising funds to produce my next full length “Terrible Luck”.

Honestly, it’s scary to run a sale. My mind immediately recalls all the cheesy influencer posts in Instagram. With newsfeeds now being so saturated, the biggest obstacle might even be making people aware! No one likes experiencing rejection, but I know that I need to learn from such experiences, not shy away from them. If I didn’t even try, things would simply stay the same. So why not at least give it a shot and hope it works!

Trouble Will Find Me - Tales from Performing

Performing music is a relatively safe process. You get to a venue, do your soundcheck, have a small dinner, pour your heart out for an hour or more and receive love from your audience in return. Then there are the other nights, when trouble will find me. 

Before memory fades, here are a few interesting stories from the years of performing.

Drunk guy messing with Shaun’s pedals - Wan Chai, 2013

Independent musicians in Hong Kong would tell you that you have to play at The Wanch if you’re coming through. I remember that they called it a “baptism of fire”. With its raw and honest vibe, it’s definitely the place to cut your performing teeth.

It’s a intimate space so with my four piece band at the time, so guitarist and friend Shaun was set up close to the entrance. A patron standing at the door, obviously inebriated, decided to become part of our set. He spoke loudly into Shaun’s ear while he was performing and even stepped on his effects pedals, believing that some part of the songs needed more distortion! This went on throughout the entire set. Poor Shaun!

Despite that, I would recommend other musicians to perform there if you can. There are very few places like it left in our modern world.

Getting molested - Aachen, 2014

I had just finished my set in Aachen and stepped out for a breather. Most of the audience had stepped outside too. Suddenly, this guy bear-hugged me from behind and whispered in my ears “your fingers, they fly like magic”. I looked at Rayner desperately for help but he refused to with a cheeky grin. Eventually the guy’s friend got him to let go and apologised on his behalf, explaining he was quite drunk.

Locked Out in the Middle of Nowhere - Melbourne, 2011

We were at Loch Ard Gorge to take a few shots for the music video for “I Want You Again”. Returning to the car, my friend Ian accidentally threw the car keys along with his jacket into the car boot and slammed it shut. Realising our situation, we tried calling the car rental company for help but our phones could not get any reception. We quickly ran to the driver of the last tour bus around, whose phone had enough reception. Thanks a bunch, Vodafone!

After an hour of enduring strong winds from the Antarctic and dropping temperatures, the mechanic from the nearest town found us and opened the car boot for us. We definitely learnt to be more careful, as well as how to jack open a car!

A Lack of Privacy - Munich, 2017

The Lovelace Hotel is a cool “popup hotel” which repurposes an abandoned building in the middle of Munich. I usually wouldn’t stay in such lavish accommodation while on tour but this time, it made sense since I would be performing there the next evening. 

As is the norm with cool hotels, you’re bound to be pleasantly surprised when you enter your hotel room. For Debra and I, it was the lack of a door for the toilet! This led to arrangements to maintain some level of privacy, but then there was the morning after I had pork knuckles and too much beer.. 

An Unforgettable Opening Act  - Melbourne, 2010

The younger me had no idea how music scenes outside of Singapore worked yet somehow, I managed to land a slot at the Empress Hotel in Melbourne within a couple of weeks of sleeping on a couch. 

I was to share the night with three other acts, one of them being a former Australian Idol reject. I told myself, “it’s just television, no one could be that awkward”. But I was proven very wrong that evening!

When he got up on stage, he plugged in his earphones and proceeded to play along to an Oasis song blasting in his ears. You had to be there to hear the level of terrible the sound engineer was subjected to. 

He didn’t bring anyone to watch and yet demanded his share of the pool. This is raised by everyone’s friends paying a small entrance fee each and is divided equally amongst the acts at the end. He also made me feel uncomfortable, with prolonged stares throughout the night. It’s taken several years for me to listen to “Champagne Supernova” again.

Looking Legit Emo Backfires  - Singapore, 2009

My band Vertical Rush was about to perform on national television, when suddenly a bunch of young men shouted from the crowd, “Take off your top!”, while pointing at a female friend of theirs. I though it was the usual heckling, so I reacted by saying “$10!” to put it to a stop.  

After the performance, said girl came up to me outside the studio and asked me for a photo. I felt bad vibes coming from her so I quickly grabbed bandmate Marcus and had him stand between us. Moments before the photo was taken, she leaned behind Marcus and began to say things like, “ oh my god you’re so hot, you look like xxx from Saosin..”. I didn’t how else to react except to run to the dressing room and hide.

Twitter Stalkers - Singapore, 2014

One day, I decided to search myself on Twitter. I saw an interesting conversation. It went like this:

A: Saw Nicholas Chim at the xxx Bus Stop, wondering what he’s doing here.

B: @A oh don’t you know? He stays in Teck Whye, *proceeds to disclose almost my entire home address on the internet*

I can’t remember what they said next but I decided to deal with it in a constructive manner. I tweeted them “Hey @A and @B, let’s meet in real life =) My next show is on..” No more tweets from them ever since!


Do you have any funny stories of your own? Share them with me in the comments section, maybe we could write a book of our collected experiences =) 

Asking for Help

Lately I’ve been preoccupied with the future, not in that “living in the future” way though! Reason being, I’ve been quietly setting things up to prepare for a new chapter in my life (will announce it properly when the time’s right). Honestly, it’s scary and uncomfortable. The words “struggle” and “sustainability” have been surfacing in my consciousness. 


because I want to keep creating and putting out music, at a pace that I’m happy with.

The old method of working a job to raise the money needed to create, release and promote an album, doesn’t allow one to produce songs at a desirable rate. Social media is important, but I still believe that a songwriter’s first and foremost task is to write good songs. Without these, there wouldn’t be any point to this, would there?


because I’ve begun to accept the responsibilities placed on myself and to the ones I love, that I know I have to make things work somehow. 

Yet at the same time, I find it difficult to ask for help, even though there are people out there who want to give in a capacity larger than streaming my songs. I know that it stems from a low self-esteem, an ingrained belief that I don’t deserve the help and generosity of others, that wants me to sabotage my own success. 

In my mind, the recurring dialogue sounds like “What fans? I don’t have anything to offer them, I’m not good enough, why would they say yes?”. I refuse to believe that, because the truth is, what’s the worst that could happen? They could say no, and that is definitely not the end of the world.

I’m no Amanda Palmer but I want to believe in the power of asking. I want to believe that my songs have touched your lives and that you would want to support the creation of more music. 

The Solution: Bandcamp Subscriptions

That’s why I’ve decided to start using Bandcamp Subscriptions: to give you the option to support me in a more sustainable way. 

For starters, you’ll get the stuff you’ve always wanted: B-sides and live recordings that I didn’t think were good enough for an official release, but I think that you might appreciate them, flaws and all.

You’ll also get the entire Vertical Rush discography, official and otherwise, where you’ll hear a younger me sing and perform on some of the songs.

I also plan to share clips of the songs-in-progress at the end of each month, to assure you that I’m writing as hard as I can! We could even arrange a subscriber-only living room concert =)

Let’s Make Music Together

I don’t dislike the current trends of music consumption, not at all. In fact, the Internet has taken my music further than I imagined. I’ll still put out stuff on Spotify and the other usual channels, and I’m already grateful for you listening to the music there. 

But like I mentioned earlier, it’s an option for those of you who want to give more and get more back in return. If you need more information about how Bandcamp Subscriptions work, check out the following links:  

A big “Thank You” in advance to everyone who chooses to get on board with this! I’ve never done something like this before and I’m looking forward to being part of a community that passionately supports the creation of independent music.

See you there.